Confession: I once told my students something I knew wasn’t true. It was during a lecture on the Space Race, on Sputnik 2, which carried the dog Laika into space in November 1957. I told them about how the Soviets initially said she had lived a week before expiring (it was always intended to be a one-way trip), but that after the USSR had collapsed the Russians admitted that she had died almost immediately because their cooling systems had failed. All true so far.
But then one bright, sensitive sophomore, with a sheen on her eyes and a tremble in her voice, asked, “But did they at least learn something from her death?” And I said, “oh, um, well, uh… yes, yes — they learned a lot.”
Which I knew was false — they learned almost nothing. But what can you do, confronted with someone who is taking in the full reality of the fact that the Soviets sent a dog in space with the full knowledge it would die? It’s a heavy thing to admit that Laika gave her life in vain. (In subsequent classes, whenever I bring up Sputnik, I always preempt this situation by telling the above story, which relieves a little of the pressure.)
I’m a dog person. I’ve had cats, but really, it’s dogs for me. I just believe that they connect with people on a deeper level than really any other animal. They’ve been bred to do just that, of course, and for a long time. There is evidence of human-dog cohabitation going back tens of thousands of years. (Cats are a lot more recently domesticated… and it shows.) There are many theories about the co-evolution of humans and dogs, and it has been said (in a generalization whose broadness I wince at, but whose message I endorse) that there have been many great civilizations without the wheel, but no great civilizations without the dog.
So I’ve always been kind of attracted to the idea of dogs in space. The “Mutniks,” as they were dubbed by punny American wags, were a key, distinguishing factor about the Soviet space program. And, Laika aside, a lot of them went up and came back down again, providing actually useful information about how organisms make do while in space, and allowing us to have more than just relentlessly sad stories about them. The kitsch factor is high, of course.
A friend of mine gave me a wonderfully quirky and beautiful little book last holiday season, Soviet Space Dogs, written by Olesya Turkina, published by FUEL Design and Publishing. According to its Amazon.com page, the idea for the book was hatched up by a co-founder of the press, who was apparently an aficionado of Mutnikiana (yes, I just invented that word). He collected a huge mass of odd Soviet (and some non-Soviet) pop culture references to the Soviet space dogs, and they commissioned Turkina, a Senior Research Fellow at the State Russian Museum, to write the text to accompany it. We had this book on our coffee table for several months before I decided to give it a spin, and I really enjoyed it — it’s much more than a lot of pretty pictures, though it is that, in spades, too. The narrative doesn’t completely cohere towards the end, and there are aspects of it that have a “translated from Russian” feel (and it was translated), but if you overlook those, it is both a beautiful and insightful book.
First off, let’s start with the easy question: Why dogs? The American program primarily used apes and monkeys, as they were far better proxies for human physiology than even other mammals. Why didn’t the Soviets? According to one participant in the program, one of the leading scientists had looked into using monkeys, talking with a circus trainer, and found out that monkeys were terribly finicky: the training regimes were harder, they were prone to diseases, they were just harder in general to care for than dogs. “The Americans are welcome to their flying monkeys,” he supposedly said, “we’re more partial to dogs.” And, indeed, when they did use some monkeys later, they found that they were tough — one of them managed to worm his way out of his restraints and disable his telemetric equipment while in flight.
The Soviet dogs were all Moscow strays, picked for their size and their hardiness. The Soviet scientists reasoned that a dog that could survive on the streets was probably inherently tougher than purebred dogs that had only lived a domesticated life. (As the owner of a mutty little rescue dog, I of course am prone to see this as a logical conclusion.)
The Soviet dog program was more extensive than I had realized. Laika was the first in orbit, but she was not the first Soviet dog to be put onto a rocket. Turkina counts at least 29 dogs prior to Laika who were attached to R-1 and R-2 rockets (both direct descendants of the German V-2 rockets), sent up on flights hundreds of miles above the surface of the Earth starting in 1951. An appendix at the back of the book lists some of these dogs and their flights.
Many of them died. Turkina talks of the sorrow and guilt of their handlers, who (naturally) developed close bonds with the animals, and felt personally responsible when something went wrong. Some of the surviving dogs got to live with these handlers when they retired from space service. But when the surviving dogs eventually expired, they would sometimes end up stuffed and in a museum.
I had thought I had heard everything there was to hear about Laika, but I was surprised by how much I learned. Laika wasn’t really meant to be the first dog in space — she was the understudy of another dog who had gotten pregnant just before. Laika’s death was a direct result of political pressures to accelerate the launch before they were ready, in an effort to “Sputnik” the United States once again. The head of the dog medical program, when revealing Laika’s true fate in 2002, remarked that, “Working with animals is a source of suffering to all of us. We treat them like babies who cannot speak. The more time passes, the more I’m sorry about it. We shouldn’t have done it. We did not learn enough from the mission to justify the death of the dog.”
The Soviets did not initially focus on the identity of Laika. Laika was just listed as an experimental animal in the Sputnik 2 satellite. Rather, it was the Western press, specifically American and British journalists, that got interested in the identity, and fate, of the dog. The Soviet officials appear to have been caught by surprise; I can’t help but wonder if they’d had a little less secrecy, and maybe ran this by a few Americans, they’d have realized that of course the American public and press would end up focusing on the dog. It was only after discussion began in the West that Soviet press releases about Laika came out, giving her a name, a story, a narrative. And a fate: they talked about her as a martyr to science, who would be kept alive for a week before being painlessly euthanized.
In reality, Laika was already dead. They had, too late, realized that their cooling mechanisms were inadequate and she quickly, painfully expired. The fact that Laika was never meant to come back, Turkina argues, shaped the narrative: Laika had to be turned into a saintly hero, a noble and necessary sacrifice. One sees this very clearly in most of the Soviet depictions of Laika — proud, facing the stars, serious.
The next dogs, Belka and Strelka, came back down again. Belka was in fact an experienced veteran of other rocket flights. But it was Strelka’s first mission. Once again, Belka and Strelka were not meant to be the dogs for that mission: an earlier version of the rocket, kept secret at the time, exploded during launch a few weeks earlier, killing the dogs Lisichka and Chaika. These two dogs were apparently beloved by their handlers, and this was a tough blow. The secrecy of the program, of course, pervades the entire story of the Soviet side of the Space Race, and serves as a marked contrast with the much more public-facing US program (the consequences of which are explored in The Right Stuff, among other places).
When Belka and Strelka came back safely, Turkina argues, they became the first real Soviet “pop stars.” Soviet socialism didn’t really allow valorization of individual people other than Stakhanovite-style exhortations. The achievements of one were the achievements of all, which doesn’t really lend itself to pop culture. But dogs were fair game, which is one reason there is so much Soviet-era Mutnikiana to begin with: you could put Laika, Belka, and Strelka on cigarettes, matches, tea pots, commemorative plates, and so on, and nobody would complain. Plus, Belka and Strelka were cute. They could be trotted out at press conferences, on talk shows, and were the subjects of a million adorable pictures and drawings. When Strelka had puppies, they were cheered as evidence that biological reproduction could survive the rigors of space, and were both shown off and given as prized gifts to Soviet officials. So it’s not just that the Soviet space dogs are cool or cute — they’re also responsible for the development of a “safe” popular culture in a repressive society that didn’t really allow for accessible human heroes. Turkina also argues that Belka and Strelka in particular were seen as paradoxically “humanizing” space. By coming back alive, they fed dreams of an interstellar existence for mankind that were particularly powerful in the Soviet context.
Yuri Gagarin reported to have joked: “Am I the first human in space, or the last dog?” It wasn’t such a stretch — the same satellite that Belka and Strelka rode in could be used for human beings, and gave them no more space. A friend of mine, Slava Gerovitch, has written a lot about the Soviet philosophy of space rocket design, and on the low regard the engineers who ran the program had for human passengers and their propensity for messing things up. Gagarin had about as much control over his satellite as Belka and Strelka did over theirs, because neither were trusted to actually fly a satellite. The contrast between the engineering attitudes of the Soviet Vostok and the American Mercury program is evident when you compare their instrument panels. The Mercury pilots were expected to be able to fly, while poor Gagarin was expected to be flown.
Soviet Space Dogs is a pretty interesting read. It’s a hard read for a dog lover. But seeing the Soviet space dogs in the context of the broader Soviet Space Race, and seeing them as more than just “biological cargo,” raises them from kitsch and trivia. There is also just something so emblematic of the space age about the idea of putting dogs into satellites — taking a literally pre-historic human technology, one of the earliest and most successful results of millennia of artificial breeding, and putting it atop a space-faring rocket, the most futuristic technology we had at the time.